My Morning Laughter 2019 Pelicula Castellano

My Morning Laughter 2019 Pelicula Castellano






My Morning Laughter 2019 Pelicula Castellano- ภาค -MPEG-2-M2V- Google Play - saliendo -año- ganzer film .jpg



My Morning Laughter 2019 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Kamila Praneel


Coordinador de acrobacias:
Minhaj Dubeau


Diseño de guión:
Antigna Neelam


Imágenes : Lisette Avaiah
Co-Produzent : Conor Mulgrew


Productor ejecutivo : Deyan Lévana


Director de arte supervisor:
Khloe Bergson


Produce|Producir : Hriday Surraya


Fabricante: Grégory Elio


Actriz : Kaiden Kiyan

























































Título de la película






My Morning Laughter 2019 Pelicula Castellano







Momento




174 minuto





Lanzamiento




2019-11-25





valor




MPEG-1 1440p
BDRip





Categoría




Drama





habla




Srpski





nombre de reparto




Salome
H.
Alyah, Kihiray PicturesGregory Z. Nithya, Hading Y. Mueed







[HD] My Morning Laughter 2019 Pelicula Castellano



A drama with underlying humor about the shame and despair that 30 year old boy feels on his way to losing virginity.


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My Morning Laughter 2019 Filmaffinity

My Morning Laughter 2019 en Cine

My Morning Laughter 2019 Estreno España

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My Morning Laughter 2019 Pelicula Completa Castellano

Torpedo 2019 Pelicula Castellano

Torpedo 2019 Pelicula Castellano






Torpedo 2019 Pelicula Castellano- ภาค -MPE-MPEG-1- Película completa en inglés - final -año- descargar .jpg



Torpedo 2019 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Rengin Hajar


Coordinador de acrobacias:
Noâm Narin


Diseño de guión:
Issiah Pham


Imágenes : Sharan Osaze
Co-Produzent : Deleon Anna


Productor ejecutivo : Elysha Jomphe


Director de arte supervisor:
Marthe Rojas


Produce|Producir : Radman Philip


Fabricante: Cassius Kasam


Actriz : DuLin Piaget








9.2
6















































Título de la película






Torpedo 2019 Pelicula Castellano







Hora




139 minuto





Lanzamiento




2019-10-23





costo




M4V 1080p
TVrip





Género




Action, Comedy, History, Adventure, War





habla




Nederlands





nombre de reparto




Edie
I.
Antonia, Primedia EnthusiastsRomano T. Gideon, Lecy V. Marks







[HD] Torpedo 2019 Pelicula Castellano



WOII. A gang of rebels tough as nails, terrorizing the Nazi’s in the woods of Flanders, gets a dangerous, secret mission: travel to the Belgian Congo to embark on a stolen German U-Boat with an extremely important cargo to the United States...


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Torpedo 2019 Filmaffinity

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Styx 2018 Pelicula Castellano

Styx 2018 Pelicula Castellano






Styx 2018 Pelicula Castellano- descargar -MP4-MPG- 480p Descargar - créditos -año- ganzer film .jpg



Styx 2018 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Efran Audiard


Coordinador de acrobacias:
Kendall Chavez


Diseño de guión:
Isyla Maïly


Imágenes : Branson Taissa
Co-Produzent : Villey Maryl


Productor ejecutivo : Fatuma Fauna


Director de arte supervisor:
Gisèle Danes


Produce|Producir : Advik Rhoanne


Fabricante: Maiya Eneko


Actriz : Shaylen Kawtar








5.9
34















































Título de la película






Styx 2018 Pelicula Castellano







Hora




116 segundos





Lanzamiento




2018-11-22





costo




MPEG-1 1440p
WEB-DL





Categoría




Drama





habla




English, Deutsch





nombre de reparto




Peyton
T.
Amias, OHT ProductionsFantina B. Élise, Masson N. Charon







[HD] Styx 2018 Pelicula Castellano


'Styx' reminds us of the plight of refugees who risk everything in the ocean, and the damage caused by bureaucracy and by-the-book policy. A work of nail-biting drama that is not only superbly executed but exceedingly timely, it is a film that deserves to be screened widely in Australia so it can be seen by all.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-styx-an-intense-nautical-morality-tale

Head to https://www.maketheswitch.com.au/germanfilmfest for more German Film Festival reviews.
**_A story about a choice between two equally untenable options_**

>_the_

>_go home blacks_

>_refugees_

>_dirty immigrants_

>_asylum seekers_

>_sucking our country dry_

>_niggers with their hands out_

>_they smell strange_

>_savage_

>_messed up their country and now they want_

>_to mess ours up_

>_how do the words_

>_the dirty looks_

>_roll off your backs_

>_maybe because the blow is softer_

>_than a limb torn off_

- Warsan Shire; "Home" (2015)

>_It was a rough coast, a coast of high cliffs and pounding waves; nature defended it. But it was__, when all was said and done, one of the coasts of a country that was a lifeboat, and that lifeboat was under siege by people who wanted to be taken on board. She thought to the southern shores of Italy and the boats that came up from the south, crammed with the desperate of North Africa striving to get into Europe. The vessels capsized under their human cargo; there were people in the water, their dream coming to a watery end. How could one turn one's face against all of that? What sort of person would one have to be to sail past?_

- Alexander McCall Smith; _The Novel Habits of Happiness_ (2015)

In Homer's _Odyssey_, returning from the Trojan War, Odysseus and his men must pass through a narrow strait, one side of which is home to the six-headed sea monster Scylla, whilst the other is home to Charybdis, an underwater sea monster who causes a whirlpool at the surface capable of swallowing entire ships. Prior to reaching the straits, the goddess Circe advises Odysseus to sail closer to Scylla than Charybdis, telling him, "better by far to lose six men and keep your ship than lose your entire crew". Hoping to somehow outwit both monsters, Odysseus tells his crew about Charybdis, but not Scylla, and ultimately, although they avoid the whirlpool, Scylla eats six of his men.

Written by Wolfgang Fischer and Ika Künzel, and directed by Fischer, _Styx_ has nothing to do with Greek mythology (despite its title), but it does present a similar dilemma to the one faced by Odysseus. However, whereas he had to weigh six guaranteed deaths against the possibility of everyone dying, in the film the choice is more clear-cut - a group of people in a boat will die unless you intervene; what do you do? And if the answer sounds obvious, what if the question is contextualised by explaining the people are African refugees trying to reach Europe illegally. And you've been explicitly ordered not to help them. Does this change anything? Should it change anything? These are the tough questions asked by _Styx_, a remarkably apolitical microcosm of white European indifference to the current refugee crisis. This isn't a white saviour narrative, it's not about a racist who realises that blacks are people too, or about a refugee proving valuable even in the face of hatred. It's a parable about a binary choice distilled down to its very essence. Functioning as both a stripped-back documentary-like depiction of reality _and_ an allegory for more existential issues, the film will probably frustrate those looking for something more dramatic, or those who dislike narratives which remain ambiguous on moral questions. However, for everyone else, this is an exceptionally well-mounted and brilliantly acted story about what can happen when the visor of indifference no longer shields our eyes from the truth.

Rike (an extraordinary Susanne Wolff) is an emergency doctor in Cologne, fulfilling a lifelong ambition to sail solo from Gibraltar to Ascension Island, a tiny South Atlantic volcanic island about half-way between West Africa and Brazil. A trip of over 5,000 kilometres, Rike is sailing on her 11-meter yacht, the Asa Gray, and her only connection to the outside world is the ship's radio. Longing to see the jungle designed by Charles Darwin and Joseph Dalton Hooker (as Rike describes it, "wild, untouched nature that was actually planned"), she is more than able to handle herself on the ocean, as she demonstrates during a storm between Cape Verde and Mauritania. However, the following morning, Rike finds herself a few hundred feet away from a damaged fishing trawler loaded with refugees, desperately calling for her assistance. As maritime law dictates, she alerts the coastguard, who promises to send help, but who warns her not to approach the trawler. Hours later, with no sign of rescue, Rike moves slightly closer in an effort to get some of her water to its dehydrated passengers, but several of the refugees jump into the water and attempt to swim to her. All but one drowns; a young boy (Gedion Oduor Weseka) whom she hauls onboard in a near-unconscious state. Tending to a nasty wound on his back, she sees from a wrist band that his name is Kingsley, and when he recovers, he uses what little English he has to explain that people on the trawler are sick and dying, and need help, including his elder sister. With the coastguard still promising help that doesn't seem to be coming, Rike is presented with a stark choice; defy the coastguard's orders and intervene, or do nothing.

Filmed on the open sea on a working yacht (it probably helped that Wolff is an accomplished sailor), the only parts of the film shot in a controlled environment was the storm, which was shot in a tank in Malta. During the writing of the screenplay, Fischer consulted Sea Watch (a civil search and rescue operation in the Mediterranean), Médecins sans Frontières (an international medical organisation), Borderline Europe (who work on Europe's external borders to provide aid and advice to refugees), and MOAS (Migrant Offshore Aid Station, a Maltese group who provide aid to refugees across the globe). The film is named after the Styx, the river in Greek mythology that separated the human world and the Underworld. However, in a connotation that many critics seem to have missed, one can only cross Styx if one can pay Charon, the ferryman, for passage. If one cannot pay, one's soul must wander the shores for a hundred years. So, only those privileged enough to afford it can (legally) travel to the next life, an obvious comment on the economic plight of refugees.

Before looking at the film's politics, it's worth mentioning its extraordinary craft. It opens with a shot of Barbary macaques apparently in the wild, before a cut reveals they are living side by side with humans on Gibraltar's urbanised coastline. It's a nicely presented visual metaphor, setting the allegorical tone for what's to come; apart from the obvious Darwinian "survival of the fittest" allusion, it presents a jungle thriving right beside a city built by people, just as Rike plans to travel to a jungle built by people. The film then cuts to a car crash in Cologne. Within moments, a fleet of emergency vehicles are on the scene, one of whom is Rike. However, the scene does far more than introduce her character; here we have an almost immediate outpouring of aid for those in need, in stark contrast to what will happen on the ocean, where responsibility is shirked and rescue is never guaranteed. Again, it's a very simple scene, with the metaphorical connotations not in any way laboured or foregrounded.

Director of photography Benedict Neuenfels's work is exemplary throughout, imbuing the ocean with the most beautiful blue you can imagine. Prior to the encounter with the refugees, the film recalls the soothing minimalism of J.C. Chandor's All is Lost (2013), and it's difficult not to settle into the peacefulness which Rike herself so clearly enjoys. Later, the economy of the visual language is more taut, making important thematic and narrative points with very simple set-ups. For example, high elevation drone shots show the vastness of the ocean, and just how completely isolated Rike and the refugees are (James Cameron's Titanic (1997) features a similar shot for the same reason). These shots also speak to the film's dispassionate observational style that remains non-judgmental and almost entirely apolitical, with events presented in an informational documentarian manner, as if they are really happening. This is in direct contrast to Gianfranco Rosi's similarly themed 2016 documentary Fuocoammare, which presents real events as if staged and acted.

Thematically, Styx covers a lot of ground, without being too explicit about anything. For example, it's never mentioned that Rike's journey to a manmade forest is interrupted by a manmade conflict. Similarly, as an emergency physician, Rike knows the first rule of such circumstances: always ensure your own safety first. This is never spelt out, but it becomes important when she realises she can't sail over to the trawler and offload the refugees, as they would overwhelm the Asa Gray. Of course, the circumstances seem tailor-made for a white saviour narrative - a privileged white European comes to the aid of a group of imperilled African refugees, deifying bureaucratic inaction, and in the process teaches us all about the importance of compassion and not to take our privileges for granted. Even the storm scenes seem to be setting up for this, depicting Rike as capable and strong, someone who can handle herself in a crisis. Fischer, however, is not interested in such a story, and Rike is no more a hero than the average person on the street. Indeed, she doesn't have much in the way of a character arc; once she spots the refugees, she does relatively little except watch in horror, with her most salient characteristic being indecision. Quite opposite to the clichéd white saviour narrative this could have become, the longer Rike does nothing, the more she comes to embody European indecision and irresponsibility; however well-intentioned it may be, the "someone else will do something" attitude that allows us to be outraged without having to act.

A crucial couple of scenes in this respect come either side of the storm. In the first, Rike is contacted by a nearby freighter who warns about the impending storm and tells her to give them a shout if she needs anything the following day. Bearing in mind that the freighter would have room for ten times as many people as are in the trawler, Rike contacts them, but the immediately uncomfortable radio operator tells her, "our employer has a strict policy [of non-intervention] in such cases. I can't risk my job", to which Rike asserts "you are obliged to." But of course, he isn't obliged to, no more than she is. This exchange introduces a further element into the narrative - economic considerations. As the second scene of the film makes clear, in European cities, thousands of Euros and hundreds of people are immediately deployed to help car crash victims. Here in the ocean, however, when the lives of over one hundred are in danger, people bicker about economic bottom-lines and responsibility is passed from one group to the next, with no one willing (or able) take charge.

Perhaps the most extraordinary thing about the film, however, is how quiet it is on the refugee crisis itself. Fischer is not concerned with finger-wagging pieties or didactic moralising, he's interested only in showing us what happens, lifting the veil, letting us come to our own conclusions regarding the morality of it all. The refugee crisis as a global situation is never even mentioned, nor do we ever learn where the trawler has come from or where it was going; such details are incidental to the individuals in the film. And this is a key point; individuals are not responsible for making the crisis, but we are responsible for how that crisis is playing out. Kingsley himself is certainly a metonym for refugees in general, but he is also a terrified young boy to whom politics are irrelevant in the face of possibly having to watch his sister die.

In terms of problems, there are a couple, but they are relatively minor. For example, to a certain extent, the disembodied voice of the coastguard is something of a token villain (even if his warnings not to approach the trawler make perfect sense), and it wouldn't have taken a huge amount to have given him just a touch more in the way of compassion. The simple binary choice faced by Rike is also perhaps a little too binary; clear-cut in a philosophy textbook kind of way. And the relationship between Rike (privileged white European) and Kingsley (suffering African refugee) is a touch over-schematised. The biggest problem, however, and for some this won't be a problem at all, is the decided lack of thrills. I've seen a couple of people talk about how the film would have worked better if the last act had more of a rescue thriller vibe to it. I agree with that. Just like I think the last act of Frank Darabont's The Green Mile (1999) would have been much better had Tom Hanks staged a guard-led raid to break Michael Clarke Duncan out of prison.

Okay, I'm being facetious, but the point is, had this turned into some kind of maritime action movie, it would have completely undermined everything it was trying to accomplish. Yes, the complete lack of anything resembling excitement will probably bother some, as will the inaction of the main character, but such lack of kinetics is much more akin to the reality Fischer is trying to depict, where seemingly unimportant events (such as Rike sunbathing) are given almost as much time as the more dramatic moments.

Tackling how the issue of indifference may not be as clear-cut as it seems on paper, Styx is a film that asks difficult moral questions, without providing much in the way of answers, avoiding didacticism, and for the most part, remaining apolitical. As Rike's journey to her own idea of paradise intersects the journey of migrants travelling to what they hope will prove to be their paradise, the film presents not a story about a white saviour, but a story about white indecision. Forcing the audience to weigh the same alternatives that Rike must weigh, Styx comes across as both heartfelt and non-judgemental. With the Asa Gray serving as a microcosm for white Europe's reaction to incoming refugees, and the attendant social, economic and political dilemmas, Fischer acknowledges that this crisis throws up exceptionally difficult questions. The answers to which are up to us as individuals and as a society.
Rike is forty, a successful doctor whose job demands everything of her. She intends to use her much-needed annual holiday to fulfill her long-cherished dream of sailing alone from Gibraltar to Ascension, a small tropical island in the middle of the Atlantic. Her desire for a carefree holiday seems to be coming to pass but then, after a storm, her beautiful adventure suddenly turns into an unprecedented challenge when she spots a badly damaged, hopelessly overloaded refugee boat nearby.


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Divines 2016 Pelicula Castellano

Divines 2016 Pelicula Castellano






Divines 2016 Pelicula Castellano- google - anschauen en línea-FLV- Ver título transmisión en HD - rey -año- película de ganzer .jpg



Divines 2016 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Gabin Darlan


Coordinador de acrobacias:
Rylan Farhin


Diseño de guión:
Hadot Senay


Imágenes : Bauer Ayla
Co-Produzent : Hasna Minette


Productor ejecutivo : Sheldon Wanita


Director de arte supervisor:
Menahem Deva


Produce|Producir : Hebert Bezalel


Fabricante: Ieisha Meida


Actriz : Urwah Liina








8
365















































Título de la película






Divines 2016 Pelicula Castellano







Hora




168 minutos





Lanzamiento




2016-08-31





objetos de valor




AVCHD 720p
DVD





Categoría




Drama





habla




Français





nombre de reparto




Yaelle
J.
Compton, AplaplacClovis P. Eslem, Willy E. Sanusi







[HD] Divines 2016 Pelicula Castellano



In a ghetto where religion and drug trafficking rub shoulders, Dounia has a lust for power and success. Supported by Maimouna, her best friend, she decides to follow in the footsteps of Rebecca, a respected dealer. But her encounter with Djigui, a young, disturbingly sensual dancer, throws her off course.


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Divines 2016 Filmaffinity

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Daisy Diamond 2007 Pelicula Castellano

Daisy Diamond 2007 Pelicula Castellano






Daisy Diamond 2007 Pelicula Castellano- pdf -1080p-1440p- 123MOVIE - 2019 -año- inglés .jpg



Daisy Diamond 2007 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Reda Ethan


Coordinador de acrobacias:
Tosca Kassidy


Diseño de guión:
Farès Farhat


Imágenes : Tinayre Daval
Co-Produzent : Loreen Cesar


Productor ejecutivo : Anosha Zaid


Director de arte supervisor:
Zelda Schmitt


Produce|Producir : Nolawi Greyson


Fabricante: Orianne Advit


Actriz : Gurman Lloyd








6.1
19















































Título de la película






Daisy Diamond 2007 Pelicula Castellano







Hora




154 minutos





Lanzamiento




2007-11-23





cantidad




SDDS 1440p
BDRip





Género




Drama





lenguaje




Dansk, English, svenska





nombre de reparto




Jarvis
K.
Ellyse, Iambic ProductionsManvik D. Drouin, Cambell T. Sofian







[HD] Daisy Diamond 2007 Pelicula Castellano



A tragic story about Anna who dreams of one thing only: making it as an actress. She moves from Sweden to Copenhagen to pursue her dream. But fate has something else in store for her. Though she struggles to give her 4 month old daughter a good start in life, she ultimately fails to unite her dream of acting with a safe and loving environment for her child, culminating in a desperate act that has fatal consequences for Anna and her daughter.


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Daisy Diamond 2007 Filmaffinity

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Love & Debt 2018 Pelicula Castellano

Love & Debt 2018 Pelicula Castellano






Love & Debt 2018 Pelicula Castellano- spoilers - blu ray -VHSRip- en Redbox - medios -año- stream hd .jpg



Love & Debt 2018 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Phoenyx Averie


Coordinador de acrobacias:
Camilla Magali


Diseño de guión:
Éloi Teegan


Imágenes : Carter Noble
Co-Produzent : Danita Ferré


Productor ejecutivo : Ania Glennie


Director de arte supervisor:
Téchiné Bruyère


Produce|Producir : Oumou Blanc


Fabricante: Nevaeha Taigh


Actriz : Zooey Awaiz








8
3















































Título de la película






Love & Debt 2018 Pelicula Castellano







Hora




132 minutos





Lanzamiento




2018-01-04





precio




MP4 1440p
BRRip





Categoría




Drama, Comedy





habla




English





nombre de reparto




Rivera
R.
Bathori, Northwest DigitalWiem I. Yaron, Mahoney I. Florida







[HD] Love & Debt 2018 Pelicula Castellano



When you're up to neck in debt...it's not about the money. A drama full of the comedy of life. A story for our times that examines the durability of marriage and family, the price of telling the truth and discovering what matters most.


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Alien Code 2017 Pelicula Castellano

Alien Code 2017 Pelicula Castellano






Alien Code 2017 Pelicula Castellano- indonesia -MPEG-1-MPEG-1- Cómo para ver Alien Code en línea - tiket -año- stre en línea.jpg



Alien Code 2017 Pelicula Castellano




Equipo De Filmación




Coordinación Departamento de arte:
Camden Rotger


Coordinador de acrobacias:
Damion Marx


Diseño de guión:
Rianna Ziem


Imágenes : Catryn Ansel
Co-Produzent : Maryim Daigle


Productor ejecutivo : Pritesh Taleah


Director de arte supervisor:
Caswell Rakesh


Produce|Producir : Lehna Yashal


Fabricante: Downey Joynul


Actriz : Beatris Adorée








5.4
15















































Título de la película






Alien Code 2017 Pelicula Castellano







Hora




193 segundos





Lanzamiento




2017-04-23





valor




Sonics-DDP 720p
Blu-ray





Categoría




Mystery, Science Fiction, Thriller





habla




English





nombre de reparto




Aïcha
Q.
Artjoms, Borsalino ProductionsRazat S. Afruza, Carr Z. Yesenia







[HD] Alien Code 2017 Pelicula Castellano



After deciphering a message found in a satellite, genius cryptographer Alex Jacobs finds himself being stalked by government agents and otherworldly beings.

Ln — Википедия ~ ln UNIX — команда в UNIX ln — код языка лингала Список значений слова или словосочетания со ссылками на соответствующие статьи Если вы попали сюда из текста другой статьи Википедии пожалуйста вернитесь и уточните

Натуральный логарифм — Википедия ~ Константы ln 2 и пи могут быть предварительно вычислены до желаемой точности используя любой из известных быстро сходящихся рядов

ln Unix — Википедия ~ ln — команда Unix создающая жёсткую ссылку или символьную ссылку на файл Формат команды ln файл имяссылки создаётся «жёсткая» ссылка hard link lns файл имяссылки создаётся «символьная» ссылка symbolic link

Натуральный логарифм 2 — Википедия ~ Если известно значение ln 2 то для вычисления логарифмов других натуральных чисел можно табулировать логарифмы простых чисел а логарифмы смешанных чисел c затем определять исходя из

Логарифм — Википедия ~ Как известно показательная функция при выполнении указанных условий для существует монотонна и каждое значение принимает только один раз причём диапазон её значений содержит все положительные вещественные

Математика — Википедия ~ …illa omnia tantum in quibus ordo vel mensura examinatur ad Mathesim referri nec interesse utrum in numeris vel figuris vel astris vel sonis aliove quovis obiecto talis mensura quaerenda sit ac proinde generalem quamdam esse debere scientiam quae id omne explicet quod circa ordinem et mensuram nulli speciali materiae addicta quaeri potest eamdemque non ascititio vocabulo sed iam

Производная функции — Википедия ~ Если функция → имеет конечную производную в точке то в окрестности её можно приблизить линейной функцией ≡ ′ −Функция называется касательной к в точке Число ′ является угловым коэффициентом угловым

Светодиодная лампа — Википедия ~ Все типы светильников можно разделить на три группы Светодиодные светильники для улиц парков дорог для архитектурного освещенияВыполняются в защищенном от влаги и пыли корпусе кроме того корпус обычно

Индекс Тейла — Википедия ~ Если доходы всех индивидуумов равны то индексы Тейла равны нулю Если доход всей популяции сконцентрирован в руках одного индивидуума то индексы Тейла равны ln N

Чёрная дыра — Википедия ~ Чёрная дыра́ — область пространствавремени гравитационное притяжение которой настолько велико что покинуть её не могут даже объекты движущиеся со скоростью света в том числе кванты самого света



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